2023 Continued

VARIETY, ‘The Persian Version’ Director Maryam Keshavarz on Creating a ‘Great Immigrant Story’ for Iranians

DEADLINE, ‘The Persian Version' Director Maryam Keshavarz Chose Comedy “Because No Regime Can Extinguish Joy” – Sundance Studio"

THE CURVY FILM CRITIC, The Persian Version Is a Generational Story Bathed in Love and Light

THE TORONTO STAR, The 10 best films at Sundance 2023

SCRIPT MAGAZINE, The Secret as a Narrative Framing Element: A Conversation with ‘The Persian Version’ Writer-Director Maryam Keshavarz

FILMMAKER MAGAZINE, “Choosing the Perfect Lens for Us Was the Bigger Challenge”: DP André Jäger on The Persian Version

FILMMAKER MAGAZINE, My Goal Is Always To Move People to Laughter or Tears”: Editor JoAnne Yarrow on The Persian Version

UNITED PRESS INTERNATIONAL, Sundance movie review: Joyous 'Persian Version' is feel-good movie of fest

ASSOCIATED PRESS – VIDEO, Niousha Noor, Layla Mohammadi - "The Persian Version" AP Sundance full interview

VULTURE, The Persian Version’s Layla Mohammadi Has Her Elevator Pitch Down

KPCW, Writer-director Maryam Keshavarz returns to Sundance with 'Persian Version

WHEREVER I LOOK, The Persian Version (2023) – Review/ Summary (with Spoilers)

DARKSKYLADY REVIEWS, The Persian Version: A Lighthearted Dramedy That Comes Full Circle

SCREEN RANT, The Persian Version Filmmaker On Crafting Her Immigrant Story [Sundance]”

NPR, … 'The Persian Version' at Sundance

KVPR, In 'The Persian Version,' Iranian-American filmmaker creates multi-generational family dramedy

INDIEWIRE, Critics Survey: The Best Movies of Sundance 2023, According to 367 Critics

THE NEW YORK TIMES, A Thousand and One’ and Nikki Giovanni Documentary Win at Sundance Film Festival

THE HOLLYWOOD REPORTER, Three Sundance Titles Take a Timely Look at the Iranian Experience

NPR, Get these Sundance 2023 movies on your radar now

THE CHRONICLE, Variety Studio: Sundance – The Persian Version

PBS NEWS HOUR, Inspired by their mothers’ stories, how 3 Iranian film directors at Sundance told powerful tales of resilience

USA TODAY, A Thousand and One,' 'The Persian Version' top Sundance awards. Here are more movies we loved.

POPSUGAR, This Year's Sundance Films Remind Us: Listen to Iranian Women's Stories

VULTURE, Sundance’s Identity Crisis Might Be a Good Thing for Hollywood

THE UTAH REVIEW, Sundance 2023: From the Iranian diaspora, a trio of outstanding films by women directors: The Persian Version, Shayda, Joonam

THE SALT LAKE CITY TRIBUNE, Stories of mothers, poetry and war are winners at 2023 Sundance Film Festival’s awards ceremony

ABOUT HER, Three Middle Eastern Filmmakers Won Awards At The 2023 Sundance Film Festival

THE RINGER, The Hits, Highlights, and Potential Oscar Contenders of Sundance 2023

ABC NEWS, Review: Top 10 movies of Sundance 2023

AUTOSTRADDLE, Sundance 2023: A Queer Festival Recap

AUTOSTRADDLE, The State of Queer and Trans Film After the 2023 Sundance Film Festival

GROUND NEWS, 10 Buzziest Movies From Sundance Film Festival 2023

THE CINEMATOGRAPHY PODCAST, Award-winning Sundance films Bad Press and The Persian Version

ARAB NEWS, Sundance Film Festival 2023 closes with three Mideast filmmakers winning awards

COLLIDER, A Thousand and One,' 'The Persian Version' & More Win Sundance Film Festival Awards


Circumstance
Starring Nikohl Boosheri, Sarah Kazemy, Reza Sixo Safai, Soheil Parsa, Nasrin Pakkho

Circumstance (2011) Press

THE GUARDIAN PROFILE ON MARYAM KESHAVARZ: In Iran Anything Illegal is Subversive

THE GUARDIAN : TWO BOYS SNOGGING WAS REVOLUTIONARY: From Gus Van Sant to Maryam Keshavarz filmmakers recall charged scenes that inspired them.

Viper Club (2018) Press  (formerly Vulture Club)

"Gripping." -NY Times

"Packs an emotional punch." - The Wrap

"There is grace in Sarandon’s performance. And heartbreaking power." - Seattle Times

“It’s capital-I important and timely. ...a quietly devastating lead performance from Susan Sarandon.” - Entertainment Weekly

"Credit director and co-writer (with Jonathan Mastro) Maryam Keshavarz with the film's win. Maybe [Susan Sarandon's] best film work in many years.” - Film Journal International

“Another committed, truthful and politically cognizant performance by Susan Sarandon elevates Viper Club.” - The Observer

“Stirringly Sensua l. Grade: A -"

- Lisa Schwarzbaum, Entertainment Weekly

An AMAZINGLY ACCOMPLISHED AND COMPLEX first feature from a filmmaker with something to say and the talent to say it."

- James Greenberg, The Hollywood Reporter 

"SWIRLING AND SENSUOUS. Ripples with the indignant energy of youthful rebellion...it has undeniable topical resonance. Ms. Keshavarz's feature directorial debut revels in her own sense of freedom, constructing scenes that pulse with sexual energy... undeniable power and conviction."

- A.O. Scott, The New York Times

"SUPREMELY CINEMATIC...There's genuine heat emanating from Circumstance. Maryam Keshavarz's stylish cry of outrage against Iran's criminalization of all things youthful: music, dancing, romance—the gateway drugs of intellectual adulthood."

-John Anderson, Wall Street Journal 

"PROVOCATIVE AND TABOO-BUSTING. Keshavarz is clearly willing to take risks on all fronts." 

-Gary Goldstein, Los Angeles Times 

“It’s an AUSPICIOUS BEGINNING for a young director.” 

- David D’Arcy, Screen International

More News on Circumstance: 

Advocate

American Cinematographer

The Atlantic

The Bay Area Reporter

The Boston Globe

Boston Herald  

College Movie Review  

Combustible Celluloid

ComingSoon.net

The Daily Beast

Daily Candy

Deadline Hollywood

The Detroit News

The Feminist Spectator

Feminema

FilmMaker The Magazine

The Film Stage

The Globe and Mail

The Guardian (UK)

Huff Post Culture

Huff Post Entertainment

IndieWire

IndieWire: Article II

IndieWire: Article III 



Sundance 2011: Directors to Watch

"This Iranian writer-director’s first feature Circumstance showed in Sundance’s U.S. competition to strong critical responses and scored a pickup deal by Participant Media. The project, about teen girls discovering Tehran’s underground scene while grappling with conservative family pressures, had a 4 1/2-year journey to the screen. Says producer Karin Chien, ”Nothing was easy about making Circumstance. Maryam worked under overwhelming restrictions and at huge personal risk to tell this story. While facing down obstacles that would have crippled most directors, her commitment to her vision never wavered, not for a moment.” After graduating from Northwestern University, Keshavarz briefly went back to Iran and returned to the U.S. again for a doctoral degree. “From an early age, I have been a translator of culture: East for West, and West for East,” says the director. “Hailing from a family where my grandfather was a political poet who was often jailed in Iran, I was interested in the intersections of politics, history and artistic expression.” After 9/11, she made an experimental short titled Sanctuary, which was a surreal fantasy about an Iranian woman navigating life in New York after the disaster. It won Keshavarz the Steve Tisch Fellowship to pursue an MFA in Film Direction at NYU/Tisch. There, she directed her first feature documentary, The Color of Love, an award-winning film. In 2005, Keshevarz went to Argentina to shoot The Day I Died, about an adolescent love triangle. It won two prizes at Berlin. Keshavarz is unrepped at the moment but has been swarmed by agency interest at Sundance."

DEADLINE, Sundance: 2011 Film Directors To Watch